Casey Donovan emerged from Boys in the Sand as one of the first gay porn figures to achieve something like mainstream recognition: theatrical reviews, theatre tours, and celebrity within queer communities. Poole’s unprecedented promotional campaign turned Donovan into an underground star — he went on a successful national tour in the gay-themed play Tubstrip, attempted to mount a revival of The Ritz, and parlayed adult-film fame into stage opportunities. But that visibility had a shadow side. Donovan also translated his notoriety into lucrative sex work as a high-priced prostitute while continuing in adult films for roughly fifteen years. His life intersected with the catastrophic AIDS crisis that decimated a generation of performers and patrons; he died of an AIDS-related illness in 1987. Donovan’s arc — meteoric celebrity born of a porn breakthrough, a precarious livelihood tied to sex work, and an early death during the worst years of the epidemic — is a microcosm of the era’s tragedies and the precariousness of queer fame in pre–sanctuary Hollywood.
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