The film's Count Dracula was not played by the established horror star the producers originally wanted. Adamson and Sherman hoped to hire John Carradine, a familiar collaborator, but Carradine's fee was beyond their budget. The role instead went to Roger Engel, a professional fundraiser with some acting experience who had helped the filmmakers meet prospective investors. Engel adopted the imposing stage name Zandor Vorkov for the part, turning a financial connection to the production into one of the film's most conspicuous casting gambles. The decision became part of the movie's troubled legacy: Lon Chaney Jr. biographer Don G. Smith later described Vorkov as 'one of the worst Draculas in screen history,' while also criticizing the film's weak lighting and uneven performances. Rather than a carefully packaged studio production, Dracula vs. Frankenstein emerged from the economics of exploitation cinema, where investor access, availability, and a performer's willingness to work could matter more than conventional star casting.
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