Before Clint Eastwood became inseparable from Harry Callahan, the role moved through a remarkable succession of stars. The screenplay, originally titled Dead Right and written by married screenwriters Harry Julian Fink and Rita M. Fink, began as a story about a hard-edged New York inspector pursuing a serial killer while bending or breaking the law. Jennings Lang struggled to find an actor willing to carry such a violent, morally abrasive project and eventually sold the film rights to ABC Television. ABC considered making it a television movie, but the script's violence was judged excessive for the medium, leading the rights to pass to Warner Bros. Warner initially developed the project for Frank Sinatra, whose age—55 at the time—more closely matched the character's original conception as a man in his mid-to-late fifties. Sydney Pollack and Irvin Kershner were considered to direct, and Kershner was hired while Sinatra remained attached. John Milius was also brought in to produce a rapid, more aggressively violent rewrite, including ideas such as a kidnapper holding children at gunpoint and using a flamethrower and Claymore mine.
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