The conflict did not end when principal photography finished. Edwards left the film after completing it and then launched a breach-of-contract suit against MGM and James Aubrey, alleging that the studio had tampered with the finished picture in post-production. The Carey Treatment was ultimately heavily edited without Edwards’ participation, just as Darling Lili and Wild Rovers had been before it, and was released at roughly one hour and forty-one minutes. Edwards regarded the treatment as so destructive that it later became material for his 1981 black comedy S.O.B., a vicious satire of Hollywood executives mutilating filmmakers’ work for commercial reasons. The released film received mixed-to-negative criticism, with some reviewers describing it as bland or indistinguishable from a made-for-television thriller—an outcome that reinforced Edwards’ complaint that MGM had sacrificed his intended film to produce something merely marketable.
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