Directed and produced by Joshua Seftel and built around journalist Steve Hartman and photographer Lou Bopp, All the Empty Rooms is a 2025 documentary short that pursues a singular, heartbreaking premise: to memorialize the untouched bedrooms of children killed in American school shootings. Over the course of the shoot Hartman and Bopp travel across the United States, entering private spaces frozen in grief and making them the film’s photographs and testimony. The finished short features four children and their bedrooms; Wikipedia notes the wider project encompassed four additional children who do not appear in the film itself, specifically including three victims of the 2018 Parkland high school shooting and one victim of the 2012 Sandy Hook Elementary School shooting. That tethering of contemporary and earlier mass-shooting tragedies gives the film a period-crossing resonance and underlines how the subject remained painfully current through the mid-2020s.
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AI concept artworkArchive Record · 2020s
A Roadside Requiem: The 2025 Documentary That Photographed the Bedrooms of Children Lost to School Shootings
All the Empty Rooms / 2020s
Directed and produced by Joshua Seftel and built around journalist Steve Hartman and photographer Lou Bopp, All the Empty Rooms is a 2025 documentary short that pursues a singular, heartbreaking premise: to memorialize the untouched bedrooms of children killed in American school shootings. Over the course of the shoot Hartman and Bopp travel across the United States, entering private spaces frozen in grief and making them the film’s photographs and testimony. The finished short features four children and their bedrooms; Wikipedia notes the wider project encompassed four additional children who do not appear in the film itself, specifically including three victims of the 2018 Parkland high school shooting and one victim of the 2012 Sandy Hook Elementary School shooting. That tethering of contemporary and earlier mass-shooting tragedies gives the film a period-crossing resonance and underlines how the subject remained painfully current through the mid-2020s.
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