Bill Gunn was given unusual creative freedom when Kelly-Jordan Enterprises hired him in 1972 to make a low-budget Black vampire film, but that independence became a liability once the finished movie reached its producers. Gunn had never wanted to make a conventional vampire picture; he used vampirism as a metaphor for addiction, assimilation, cultural domination, guilt, and religious hypocrisy. The resulting film employed elliptical editing, dreamlike imagery, long quiet exchanges, and an unconventional structure rather than the straightforward horror narrative its financiers apparently expected. After Ganja & Hess opened to disappointing box-office results, producers Kelly and Jordan reportedly became dissatisfied with its unusual style and structure. Instead of allowing Gunn's version to find an audience, Kelly-Jordan withdrew it from distribution and sold it to Heritage Enterprises.
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