Felix Nussbaum — a German-Jewish painter whose later works painfully recorded the psychological reality of life under Nazism — was hidden in Brussels with his wife, Felka Platek, during the occupation. In July 1944 the couple’s hiding place was betrayed: secret police reportedly broke down the door of the home sheltering them and put the Nussbaums on what contemporaneous testimony calls ‘the last train to Auschwitz.’ Both were murdered in the gas chambers, their deaths an intimate part of the grim subject matter of Nussbaum’s own canvases. Nussbaum’s late paintings — titled Fear, The Refugee, Prisoner, The Damned and The Triumph of Death — repeatedly depict himself and are saturated with the apprehension, exile and looming annihilation that proved literally prophetic.
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AI concept artworkArchive Record · 1940s
The Arrest, Deportation, and Posthumous Rescue of Felix Nussbaum’s Paintings
Felix Nussbaum / 1940s
Felix Nussbaum — a German-Jewish painter whose later works painfully recorded the psychological reality of life under Nazism — was hidden in Brussels with his wife, Felka Platek, during the occupation. In July 1944 the couple’s hiding place was betrayed: secret police reportedly broke down the door of the home sheltering them and put the Nussbaums on what contemporaneous testimony calls ‘the last train to Auschwitz.’ Both were murdered in the gas chambers, their deaths an intimate part of the grim subject matter of Nussbaum’s own canvases. Nussbaum’s late paintings — titled Fear, The Refugee, Prisoner, The Damned and The Triumph of Death — repeatedly depict himself and are saturated with the apprehension, exile and looming annihilation that proved literally prophetic.
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