With MGM hesitating over whether to release Diner, executive producer Mark Johnson took an unusually risky promotional step: he obtained a print without the studio’s knowledge and arranged a private screening for influential critics Pauline Kael of The New Yorker and James Wolcott. Johnson had a personal connection to Kael through his mother, but the move still amounted to bypassing MGM’s control over the film’s rollout. Kael responded with extraordinary force. After seeing the picture, she contacted MGM executives and made clear that she intended to write a rave review even if the studio refused to release the film, adding that other critics were prepared to support it. Her intervention helped transform Diner from a troubled, potentially shelved debut into a critically championed release. Kael ultimately called it “a wonderful movie,” while later reviews praised its ensemble chemistry and authentic sense of spontaneous friendship.
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