Aram Avakian's End of the Road became one of the most aggressively censored and commercially suppressed American films of its moment. Shot in Great Barrington, Massachusetts, during the summer of 1968, the adaptation of John Barth's novel was made under unusually permissive conditions: producers gave Avakian and his collaborators, including Terry Southern, almost complete creative control. Southern pushed the material toward deliberately abrasive psycho-sexual absurdity, adding controversial sequences such as a man having sex with a chicken and helping shape the film's graphic abortion episode. The finished picture was awarded an X rating, chiefly because of those two scenes, at a time when an X label carried a powerful stigma and was often associated with pornography rather than serious art cinema. The rating made conventional exhibition difficult, and distributor Allied Artists refused to promote the film, resulting in only a very limited theatrical release when it opened in New York City on February 10, 1970. The film was even released in Britain without certification from the British Board of Film Classification, effectively leaving exhibitors and authorities to determine whether it could be shown. The controversy damaged the movie's initial prospects despite praise for its cinematography and performances, while author John Barth publicly disavowed the adaptation as vulgar and singled out the chicken scene for particular disgust. Decades later, the film's reputation was rehabilitated through art-house revivals and a 2012 Warner Archive DVD release spearheaded by Steven Soderbergh, who described its opening sequence as among the finest five or six minutes of cinema he had seen.
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