Long before he won Oscars, Gustavo Santaolalla experienced the hard edge of authoritarian intolerance in his teens. In 1966, at age 15, he was arrested by Argentina’s military juntas—not for drugs or politics but, by his account, for having long hair and playing an electric guitar. The first arrest was dramatic enough that his father, who worked in advertising for J. Walter Thompson, had to go to the station and demand to know what crime his son had committed. Those humiliating detentions were not a one‑off: Santaolalla later recalled that arrests continued throughout his adolescence, part of a broader cultural crackdown on youth and rock culture that foreshadowed the far more brutal repression that would follow the 1976 coup. The repeated run‑ins with the state left an indelible mark on him, feeding both his eventual decision to leave Argentina and the restless, itinerant life he led as a young musician—fleeing first the social policing of the 1960s and later the dictatorship that pushed him to Los Angeles in 1978.
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