Akiva Goldsman’s feature directorial debut Winter’s Tale (released February 14, 2014) was born out of intense personal grief and a string of production calamities. After the sudden death of his first wife, producer Rebecca Spikings-Goldsman, from a heart attack on July 6, 2010, Goldsman returned to Mark Helprin’s labyrinthine novel with renewed urgency — a choice the Wikipedia record explicitly ties to his grieving process. Bringing the film to the screen proved brutally difficult: Goldsman had to marshal industry favors, contribute his own money to keep the project alive, and rework the script when Warner Bros. slashed the budget in half. The shoot and postproduction were further battered by external forces — most notably Hurricane Sandy, which disrupted locations and schedules, and the bankruptcy of the film’s visual-effects vendor, which imperiled completion of the story’s essential fantasy sequences. Despite those setbacks and the intimate tragedy that motivated him, Goldsman pressed on to finish and release the picture; the production serves as a modern example of how personal loss and logistical catastrophe can conspire to turn a passion project into a near-miracle of completion.
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