William Inge's end was the grim punctuation to a life spent mining the loneliness and shame of middle America on stage and screen. By the late 1960s and early 1970s the playwright who had won a Pulitzer for Picnic (1953) and an Academy Award for Splendor in the Grass (1961) found his later plays attracting little notice; he sank into a depression convinced he could no longer write. Compounding his creative despair were personal struggles that ran through his life — a long history of alcoholism (he joined Alcoholics Anonymous in 1947) and the private strain of living as a closeted gay man in mid-century America. On June 10, 1973, Inge died by suicide from carbon monoxide poisoning at the Los Angeles home he shared with his sister Helene. He was 60. The timing added an extra layer of tragedy: The Last Pad, which premiered in Phoenix in 1972 and later moved to Los Angeles with a young Nick Nolte in the cast, opened in L.A. just days after Inge's death. The playwright was buried in his hometown of Independence, Kansas, leaving behind a legacy of acclaimed midwestern dramas and the sorrowful story of a major literary figure undone by inner demons and a changing theatrical landscape.
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