Allan Carr conceived the project during the height of the disco boom, announcing it in June 1979 under the title Discoland... Where the Music Never Ends and comparing it to Singing in the Rain for a new generation. Filming ran from May through July 1979, but the cultural ground shifted underneath the production almost immediately. On July 12, 1979, the infamous Disco Demolition Night at Chicago's Comiskey Park turned anti-disco sentiment into a national spectacle; meanwhile, Village People album sales were already declining. Carr changed the title during production because the finished movie included Broadway songs and older ballads, but the timing made the picture look even more out of touch. By its summer 1980 release, disco had passed from dominant pop phenomenon to cultural punchline. Produced for an estimated $20 million, the film earned roughly one-tenth of that amount and helped weaken Associated Film Distribution, while its failure contributed to EMI Films' retreat from Hollywood and Barry Spikings' departure. Lew Grade later admitted that he had made the film primarily because he thought it would make money, concluding that this was the wrong reason to produce a movie.
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