Emil Jannings—hailed in 1929 as the first Academy Award Best Actor winner for The Way of All Flesh and The Last Command—made a dramatic and career-defining turn after the Nazi seizure of power in 1933. Rather than follow many contemporaries into exile, Jannings remained in Germany and accepted plum, regime-approved lead roles in what were explicitly State Films (Staatsauftragsfilme). Between 1934 and 1942 he headlined picture after picture that fit the Third Reich’s taste for stern, authoritarian biographies and historical epics: Der alte und der junge König (The Old and the Young King, 1934), Der Herrscher (The Ruler, 1937) directed by Veit Harlan, Robert Koch (1939), Ohm Krüger (Uncle Kruger, 1941), and Die Entlassung (The Dismissal, 1942). Joseph Goebbels personally elevated him to Staatsschauspieler—an honorific that branded him publicly as an artist of the regime.
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