The film's financing history exposed the transactional side of the Bronson action-movie market. Film rights had been purchased in 1980 by a company associated with Charles Bronson, Jill Ireland, director J. Lee Thompson and producer Pancho Kohner. Kohner initially tried to place the project at Cannon Films, which had just enjoyed success with Bronson in Death Wish II. Cannon, however, refused to reimburse the cost of the screenplay and the rights option. The arrangement collapsed, and Bronson instead made 10 to Midnight for Cannon with Thompson. Kohner ultimately secured $4.6 million from ITC Entertainment, making the picture the final installment of a three-film ITC-Bronson deal that also included Love and Bullets and Borderline. The dispute was not a public scandal in the sensational sense, but it was a revealing piece of studio-era leverage: a major distributor wanted the star and the commercial formula, yet balked at absorbing the development expenses already incurred before production could proceed.
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