The film’s cryonics segment centers on Samuel Berkowitz, whose body was reportedly placed into cryopreservation in July 1978 after his bodily fluids were replaced with a low-freezing-point liquid. He was stored in Northern California in the hope that future science might one day revive him. The sequence presented the process as a strange ‘theater of preservation,’ turning a real person’s postmortem experiment into one of the film’s most memorable images of suspended death.
The promise of scientific resurrection did not survive the practical realities of funding and family commitment. The relatives paying for Berkowitz’s suspension gradually lost both interest and the financial means to continue it. A proposal was made to maintain him in a cheaper neurocryonic state—preserving only the head—but the offer was rejected. In October 1983, Berkowitz was thawed, submerged in formaldehyde, given a conventional funeral, and buried. No attempt was made to preserve his brain, meaning that the very future the film invited viewers to imagine was definitively abandoned. His story became an especially bleak footnote to Faces of Death: not an invented horror scenario, but a real technological gamble that ended in ordinary burial.
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