The documentary's most revealing power struggle occurred when the camera followed Mandy's expulsion. Plankinton entered while she was packing and ordered Broomfield to stop filming, demanding the reel containing the confrontation and warning that he would halt the entire production, destroy the material, and sue if the filmmakers continued. The director nevertheless retained the sequence, ending the film with a car driving away from the ranch, apparently carrying Mandy. The episode exposed the unusual control a brothel owner could exert over a documentary made on his property: access, transportation, employment, and the threat of legal action all became tools for controlling what the public might see. It also transformed the film's ending from a conventional observational conclusion into an unresolved image of a worker being abruptly expelled from an isolated workplace.
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