Ring Lardner Jr. / 1940s
In the autumn of 1947 Ring Lardner Jr. — already an Oscar-winning screenwriter and one of Hollywood’s best-paid writers at 20th Century Fox — was swept into one of the 20th century’s most corrosive episodes of studio-government collusion. Subpoenaed by the House Un-American Activities Committee (HUAC), Lardner was abruptly called to testify on October 29, 1947 while listening to the hearings from a Washington hotel room. When Committee chairman J. Parnell Thomas forced the inquiry to the decisive question of Communist Party membership, Lardner famously replied that he "could answer the question the way you want, Mr. Chairman, but I'd hate myself in the morning," was shouted down, and removed from the stand. A month later Fox fired him. He was tried, convicted of contempt of Congress along with nine colleagues (the so‑called Hollywood Ten), fined $1,000, and — after appeals failed in May 1950 — served roughly nine-and-a-half months at the Federal Correctional Institution in Danbury, Connecticut, where irony bit hard: one of his fellow inmates was J. Parnell Thomas, later convicted of fraud.
The punishment extended far beyond prison. Studios instituted an industry-wide blacklist that obliterated careers, forced Lardner and his family to flee Hollywood (first to Mexico, then New York), and pushed him into writing under pseudonyms and through fronts for greatly reduced pay. He helped write British television from exile with Ian McLellan Hunter using the alias Oliver Skene; the U.S. Passport Bureau denied him travel from 1951 until a 1958 Supreme Court ruling halted political restrictions on passports. The blacklist finally cracked for Lardner when producer Martin Ransohoff and director Norman Jewison gave him a screenplay credit on The Cincinnati Kid (1965), and he achieved a full, public comeback with an Academy Award for Robert Altman’s M*A*S*H (1970). The episode remains a benchmark example of how studio power and congressional anti‑communist fervor combined to ruin reputations, careers, and livelihoods across Hollywood.
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