During production, corporate image concerns intersected with the film’s sensitive subject matter — the opium trade connected to clandestine operations — when PepsiCo objected to one sequence that showed opium being refined at an abandoned factory. The company wanted the filmmakers to use a fictional soda brand rather than have Pepsi’s imagery or implied association appear near illicit drug production. Rather than remove the location or risk legal hassle with a major sponsor, the filmmakers inserted a throwaway line wondering aloud if “Pepsi knew what was going on,” a sardonic wink that reveals how corporate product protection can directly shape creative choices. The incident is a small but revealing illustration of late‑studio/corporate pressures on content: brand stewardship and potential litigation often got script changes and visual adjustments even on films tackling historical controversy.
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