Dean Paul Martin, son of entertainer Dean Martin and one of the leading actors in Backfire, died before audiences ever saw the film. Martin was killed on March 21, 1987, when the F-4 Phantom fighter jet he was piloting for the California Air National Guard crashed in the San Bernardino Mountains during a snowstorm. His death came as Backfire was being filmed or prepared for release, giving the otherwise conventional 1988 mystery-thriller an unexpectedly somber afterlife. Martin played Donny, a troubled Vietnam veteran whose combat nightmares and unstable marriage form part of the film’s murderous love triangle with Karen Allen and Keith Carradine. Rather than becoming the planned theatrical release, Backfire ultimately premiered on Showtime in June 1989, nearly two years after Martin’s death, and was dedicated to him. The film’s delayed cable debut was met with largely dismissive reviews, creating a bleak contrast between the production’s hopes for a theatrical career and its final status as a little-seen posthumous performance by Martin.
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AI concept artworkArchive Record · 1980s
Dean Paul Martin’s Fatal Jet Crash Turned Backfire into a Posthumous Release
Dean Paul Martin / Backfire / 1980s
Dean Paul Martin, son of entertainer Dean Martin and one of the leading actors in Backfire, died before audiences ever saw the film. Martin was killed on March 21, 1987, when the F-4 Phantom fighter jet he was piloting for the California Air National Guard crashed in the San Bernardino Mountains during a snowstorm. His death came as Backfire was being filmed or prepared for release, giving the otherwise conventional 1988 mystery-thriller an unexpectedly somber afterlife. Martin played Donny, a troubled Vietnam veteran whose combat nightmares and unstable marriage form part of the film’s murderous love triangle with Karen Allen and Keith Carradine. Rather than becoming the planned theatrical release, Backfire ultimately premiered on Showtime in June 1989, nearly two years after Martin’s death, and was dedicated to him. The film’s delayed cable debut was met with largely dismissive reviews, creating a bleak contrast between the production’s hopes for a theatrical career and its final status as a little-seen posthumous performance by Martin.
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