The True Glory was a high‑stakes wartime co‑production between the U.S. Office of War Information and the British Ministry of Information, co‑directed by Garson Kanin and Sir Carol Reed and produced at Pinewood Studios in 1945. Early in the film’s post‑production, American composer Marc Blitzstein — then a prominent, modernist voice in U.S. musical theatre and concert music — supplied an original score. According to contemporary accounts, the British side found Blitzstein’s music too avant‑garde for a propaganda film meant to celebrate Allied victory and bolster public morale. Rather than negotiate revisions, the Ministry pushed for a complete replacement. William Alwyn, a respected British composer whose style was far more conservative and “formal,” was commissioned to write a new score that was recorded and performed by the London Symphony Orchestra for the released print.
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