Early in his career Reznor ran headlong into the old-school control mechanisms of the record business. After Pretty Hate Machine he felt intense pressure from his label to produce a quick follow-up; to avoid direct interference he secretly recorded material under various pseudonyms, a workaround that ultimately surfaced as the aggressive EP Broken (1992). The tug-of-war with label lawyers also surfaced in side-project contexts: Reznor sang on a 1000 Homo DJs cover of Black Sabbath's "Supernaut" in 1990, but legal problems with his label forced the initial releases to obscure his vocals, even though later TVT releases definitively used his voice. The friction with labels was a through-line in Reznor's career; by the late 2000s he explicitly broke from major-label constraints, founding The Null Corporation and experimenting with independent digital releases as a deliberate reaction to the studio-system chokehold he'd experienced.
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