Gore Vidal carried an open sore from Hollywood for decades: the teleplay he wrote that became the basis for Arthur Penn’s 1958 theatrical film The Left Handed Gun — starring Paul Newman — was, in Vidal’s view, eviscerated by studio interference and reshaped into something he did not recognize. Vidal spelled out the grievance in later memoirs, complaining that decisions made far upstream by producers and studio hands had turned his studied character study into a market‑minded spectacle. The grudge had a concrete aftermath: in 1989 Vidal returned to the subject as writer of the TNT television movie Billy the Kid (directed by William A. Graham and starring Val Kilmer) expressly to reclaim a more accurate, less sensational treatment of William Bonney; the TV production was noted for its comparative historical fidelity and read by many as Vidal correcting the record after decades of studio reshaping.
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