Arthur Caesar’s most famous credit was an odd and grim one: his Academy Award–winning story for Manhattan Melodrama (1934) became infamous not for its plot but for what happened after a midnight showing in Chicago. On July 22, 1934, notorious bank robber John Dillinger walked out of the Biograph Theater after watching the Clark Gable– and William Powell–starring melodrama and was ambushed and shot to death in the street. The ambush had been arranged with the help of Anna Cumpănaș (the so‑called “Woman in Red”), an informant who had tipped off local police and federal agents; the killing was heavily publicized by J. Edgar Hoover’s FBI as a celebrated capture of a public enemy. Newspapers across the country ran breathless headlines linking the glamorous Hollywood picture and its Oscar-winning story to the violent, cinematic final act of one of America’s most notorious gangsters.
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