When Paramount and producer David Foster became locked in a budget dispute over The Getaway, Foster had only thirty days to arrange financing elsewhere before Paramount could claim exclusive rights to the project. He accepted a deal with First Artists that gave Steve McQueen no conventional upfront salary. Instead, McQueen received ten percent of the film's gross receipts from the first dollars earned, an unusually favorable arrangement that transferred much of the financial risk away from the star while giving him a powerful stake in the film's performance. The contract also granted McQueen final-cut privileges, a level of control that infuriated Peckinpah and allowed the actor to influence both the selection of takes and the replacement of the score. The gamble paid off spectacularly: made for approximately $3.35 million, The Getaway grossed more than $36 million in the United States and Canada and became the eighth-highest-grossing film of 1972. Walter Hill later noted that the success mattered enormously to Peckinpah because it was one of the rare films on which the director's points were actually worth substantial money. For McQueen, the deal transformed a risky production into one of the most profitable arrangements of his career.
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