Blazing Saddles pushed every envelope Warner Bros. executives could name: repeated use of the N-word, Madeline Kahn's risqué Lili von Shtupp seduction, an extended campfire flatulence gag, and the infamous shotgun-right-hook that knocks a horse cold. Studio brass bristled, but Brooks's contract gave him final cut and he largely refused to make the demanded changes. The only significant concession was trimming Bart's outrageous line during Lili's seduction. Brooks also said he had the support of Cleavon Little and Richard Pryor for the film's language and approach, though the finished picture still triggered a flood of complaint letters. The showdown is illustrative of the late-studio-era struggle between executives frightened of controversy and maverick filmmaker-producers who leveraged contractual clout to keep provocative material in the picture — a dynamic that helped define New Hollywood's uneasy truce between commerce and daring content.
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