The film's screenplay developed into a quiet but consequential battle over control of the material. The novel's author, R. Lance Hill, wrote the first draft under the contractual terms attached to the project, but producer Pancho Kohner believed the script required extensive repair and hired John M. Crowther to rewrite it. Crowther was initially engaged on a weekly contract; once the producers recognized how much work was required, that arrangement was drastically extended. Crowther later described Hill's draft as riddled with logical holes and mocked its treatment of the villain's security: the story claimed that the torturer Molloch possessed protection superior to Israeli Mossad, yet the screenplay apparently gave him only what Crowther called three incompetent bodyguards. To make the film more streamlined and commercially action-oriented, seven minor characters were removed, along with several episodes from the novel, including a surreal sequence in which Molloch dreams of being tortured in a concentration camp by Josef Mengele. The result was not simply a routine adaptation but a substantial restructuring carried out under producer pressure, with Crowther's account preserving the sharpest surviving criticism of the original script.
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