The documentary was more than retrospective reporting; Roher’s crew began shooting almost immediately after Navalny came out of his coma and continued into the eye of the storm. Announced January 13, 2021, the project followed Navalny and his inner circle as they carried out investigations with Bellingcat’s Christo Grozev and Maria Pevchikh. According to the filmmakers and the film itself, the crew even accompanied Navalny through border control at the airport and remained with him up to his arrest in January 2021. That proximity produced the film’s most harrowing material — intimate footage of a man under direct threat — but it also put journalists, producers (including HBO Max, CNN Films, Fishbowl Films’ Diane Becker and Melanie Miller, Cottage M’s Shane Boris, RaeFilm Studios’ Odessa Rae, and others) and investigators at real personal and legal risk from state surveillance and reprisals. The decision to document Navalny in real time transformed the film into evidence and a high-stakes piece of political theater; its subsequent festival and awards circuit success (Sundance, an Academy Award and a BAFTA among them) amplified the very scandal the crew had risked their safety to capture.
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