The central human drama in Donna Schatz’s 2005 documentary Balancing Acts reads like a tragic vaudeville melodrama. Magda Schweitzer, a Jewish acrobat from Budapest, and Man-Fong Tong, a Chinese balancing star, married in Stockholm in 1940 after long itinerant careers on Europe’s great stages — the Moulin Rouge, Cirque Medrano — and appearances alongside names like Maurice Chevalier and Bill "Bojangles" Robinson. Three months after their wedding, while Man-Fong was back in Germany for what would be his last visit, he was summoned to perform before a private audience that included top-ranking Nazi officials and, according to contemporaneous accounts recounted in the film, Adolf Hitler himself. The documentary makes plain the wrenching moral calculus: Man-Fong attempted to refuse but, as a foreign performer with a family to feed and a Jewish wife living under the tightening noose of Nazism, he had little realistic choice but to comply.
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