Barbra Streisand did not initially want to make Funny Lady, despite being contractually obligated to deliver one more film for producer Ray Stark, who had a particularly personal connection to the material: Stark had once been married to Fanny Brice's daughter. Streisand reportedly told Stark that it would take litigation to force her into making the sequel, a blunt indication of how little leverage even a major star could have once a studio contract was in place. Her resistance was not simply fatigue with the character; she was wary of following the enormous success and cultural impact of Funny Girl, the 1968 film that had made her an Oscar-winning screen sensation. She eventually changed course after reading a script that presented Brice as older, sharper, more acerbic, and more emotionally complicated rather than merely repeating the triumphant-young-star formula of the earlier film. The episode illustrates the contractual trap of the period: a star could negotiate aggressively and threaten legal action, but an ironclad obligation could still compel participation in a costly sequel. Streisand's eventual agreement helped produce a major commercial hit, although the film received mixed reviews and was criticized for failing to match the freshness of Funny Girl.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.