Like many writers on the blacklist, Salt survived by writing covertly. Although he could no longer receive open screen credit in Hollywood, he earned money under pseudonyms — for example contributing to the British television series The Adventures of Robin Hood — and participated in the informal economy of front writers and anonymous scripts that kept blacklisted talents afloat. He formally left the Communist Party in 1955 and, after the blacklist era waned, returned to public prominence in the New Hollywood era: he co-wrote Midnight Cowboy (1969), winning an Academy Award, later earned a nomination for Serpico (1973), and won another Oscar for Coming Home (1978). The arc from being publicly named by a colleague in 1951 to being lauded by peers such as Dustin Hoffman, Robert Redford and Jon Voight (who later appeared in the 1990 documentary Waldo Salt: A Screenwriter's Journey) encapsulates the lasting fallout and eventual rehabilitation that defined many blacklisted artists’ lives.
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