In mid-1972 Puzo was briefly the originator of the disaster-film story that became Earthquake, but commitments to The Godfather Part II prevented him from shepherding the script through 1973. Paramount and the film's production team carried the project forward with writer George Fox and director/producer Mark Robson contributing, but when the final credits rolled Puzo's fingerprints were everywhere—most major elements of his first draft remained. That led to a quickly settled lawsuit over story credit; the settlement left Puzo with official screen credit and, crucially, heavy use of his name in the film's advertising. The episode highlights a recurring studio-era pattern: multiple writers and producers reshaping a screenplay while studios leverage big names for marketing. It also shows how legal action sometimes became the only recourse for writers to protect both legacy and commercial value when a script was taken over by production.
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