Norman Reilly Raine carried a grievance emblematic of the Golden Age studio gatekeeping: he told a 1957 interviewer that his carefully researched story about the Battle of the Little Bighorn had been turned down seven times by a Hollywood magnate, who — according to Raine’s retelling — dismissed the subject with the blunt line, 'I hate Indians!' The anecdote reads like a small, human vignette but it illuminates a much larger, uglier truth about studio-era decision-making: projects were frequently killed not for lack of craft but because executives had personal prejudices, perceived market anxieties, or a desire to avoid controversial ethnic portrayals. Whether the magnate’s exact words are verbatim or rhetorical flourish, Raine’s experience is a documented example of how powerful studio executives could veto historical and Indigenous-centered narratives, shaping which stories the American public would and would not see on screen.
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