John Landis later described the production of Blues Brothers 2000 as a textbook case of studio interference: Universal Pictures reportedly insisted the sequel be retooled to a PG rating, forbid the profanity that had been a signature of the original R-rated Blues Brothers voice, and demanded structural changes — including the insertion of a child character and other crowd-pleasing elements. According to Landis’s account, those notes were not minor polishes but wholesale rewrites that removed the film’s edge; he says the filmmakers complied because Universal made clear it would only greenlight the picture on those terms. The result, in Landis’s telling and in contemporary critical accounts, was a script that was "homogenized and uninteresting," a project where the studio’s risk-averse logic smothered the raucous tone that had made the 1980 picture a cult touchstone.
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