Greta Garbo / Mauritz Stiller / Louis B. Mayer / Irving Thalberg / 1920s
Greta Garbo's Hollywood origin story is as much a lesson in studio power as it is in star-making. Recruited and mentored by Swedish director Mauritz Stiller—who cast her in The Saga of Gösta Berling (1924) and personally escorted her to the United States in 1925—Garbo arrived in New York and then Los Angeles with Stiller hoping the studio would take them both. Louis B. Mayer, however, had other ideas. Contemporary accounts recorded two versions of that fateful meeting in Berlin: one in which Mayer fell for Stiller's work and only belatedly accepted that Garbo had to be part of any deal, and another in which Mayer had already zeroed in on Garbo and told his daughter, “The girl, look at the girl!” Either way, MGM appropriated Garbo and set about molding her. Irving Thalberg personally supervised her transformation—arranging dental work, weight control and English lessons—and reshaped her public persona into the cool, world-weary woman of sophisticated melodramas. The studio system's muscle surfaced again when Stiller clashed with studio mechanics on The Temptress (1926): Stiller’s difficulty with English and with MGM’s production style led to his firing and replacement by Fred Niblo. The end result was a towering star born under studio direction, a Garbo image created as much by Mayer and Thalberg’s managerial precision as by the actress herself, and a mentor left sidelined by the very machine that made his protégé famous.
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