One of the most audacious origin stories in modern Hollywood comes not from a film set but from a talent agency mailroom. In 1964 David Geffen arrived at the William Morris Agency as a lowly mailroom clerk — a classic entry point to the industry — but he had designs on becoming an agent. Company policy required proof of a college degree for promotion. Geffen later admitted that he intercepted a letter from UCLA to WMA demonstrating that he had not graduated, altered the document to indicate he had attended and graduated from UCLA, and then used that doctored letter to secure promotion out of the mailroom and into the ranks of agents. The episode involved more than petty resume-padding: it gave Geffen an early, practical education in the backroom maneuvering and memo politics of show business (he learned a great deal simply by reading the memos he delivered). The forgery never led to criminal charges, but it became part of the canonical myth of Geffen as an operator willing to bend rules to rapidly climb the ladder. Biographers and Geffen himself have repeatedly recounted the incident as evidence of the hard-scrabble, take-no-prisoners ethos that propelled him to found Asylum in 1971 and Geffen Records in 1980.
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