F.T.A. / 1970s
When F.T.A. — the raw, fiercely political 1972 documentary featuring Jane Fonda and Donald Sutherland and directed by Francine Parker — opened in July 1972 it did so at the worst possible political moment: within days of Fonda's polarizing trip to Hanoi. The movie played for scarcely a week before distributor American International Pictures (AIP) yanked it from circulation. According to Parker, Sam Arkoff (AIP's co‑founder, a man famed for squeezing every last dollar out of his pictures) received a call from the White House; within a short time most copies of the film had disappeared and, reportedly, were destroyed. That combination — big‑name Hollywood leftists, footage of enlisted GIs denouncing the war, and the appearance of censorship right after Fonda's Hanoi visit — produced one of New Hollywood's most enduring suppression stories. David Zeiger, who later led the film's resurrection, has said he believes Parker's account: why would Arkoff sacrifice a saleable title and apparently destroy prints unless outside pressure was involved? The concrete facts (the abrupt pull, the rarity of prints for decades, and Arkoff's decision) are documented; the precise mechanism (a White House order or call) remains contested and has never been publicly proven.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.