What began as a routine acquisition of Michael Crichton’s (credited as Jeffrey Hudson) A Case of Need turned into a textbook studio-versus-director war. In June 1971 Blake Edwards signed on to direct the film, then shooting in September under the novel’s title. Edwards was walking into a minefield: he had already clashed with MGM head James T. Aubrey on Wild Rovers, and Aubrey used his muscle again — cutting Edwards’ schedule, refusing to allow rewrites, and inserting producer William Belasco as an overbearing on-set presence. Edwards later described Belasco publicly insulting him in front of cast and crew and boasting he’d bet $1,000 that Edwards would never work in Hollywood again if he didn’t bend to Aubrey’s and Belasco’s demands. Cast member James Coburn corroborated the chaos, saying MGM cut ten days from the schedule and “pulled the plug” early. The atmosphere was so toxic that, Edwards noted wryly, the crew threw a party for him — an extraordinary reversal of the usual morale ritual.
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