Before production began on Big Trouble, Columbia Pictures faced an unusual legal problem: Andrew Bergman's screenplay borrowed so heavily from the plot structure of Double Indemnity that Columbia sought permission from Universal Pictures, which controlled the rights to the earlier Paramount film. Universal executive Frank Price, a former Columbia executive, recognized that Columbia was also holding a potentially valuable but then-unproduced screenplay called Back to the Future. Price used the copyright negotiation as leverage, arranging a deal that allowed Universal to take over ownership of the Back to the Future script in exchange for clearing Big Trouble's legal path. The maneuver became an extraordinary piece of studio-business history: a troubled 1986 comedy, ultimately disliked by its own director and poorly received by critics, was connected to the transfer of the screenplay that would become one of the decade's defining blockbusters. The episode illustrates how valuable screenplays could be traded, withheld, or used as bargaining chips behind the scenes of the studio system.
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