The Getaway was nearly a very different film. Producer David Foster first hired Peter Bogdanovich after McQueen and Foster were impressed by an advance screening of The Last Picture Show. Bogdanovich, however, was simultaneously offered What's Up, Doc? by Warner Bros., with the studio insisting that he begin immediately. He wanted to make both films, but Warner Bros. refused, and McQueen reacted angrily when he learned that The Getaway would be delayed. The actor told Bogdanovich he would find another director, effectively ending the arrangement. Jim Thompson, author of the 1958 crime novel, was also hired to write the screenplay, but his version retained the novel's bleak, surreal ending in El Rey, an imaginary Mexican refuge populated by criminals. McQueen disliked the depressing conclusion and objected to aspects of Thompson's brutal protagonist. Thompson was dismissed after four months of work, and Walter Hill rewrote the screenplay in roughly six weeks, reshaping the material into a more conventional action thriller. Sam Peckinpah eventually replaced Bogdanovich as director, turning a troubled development process into the biggest commercial success of Peckinpah's career.
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