The already troubled production suffered two devastating personal losses before it could be completed. Carlos Arruza died in May 1966, nearly eight years after filming began, turning the documentary into a posthumous portrait of the man Boetticher had left Hollywood to capture. The film’s editor, identified in the production account as Crone, also died in June 1966. Shooting was finally completed in February 1967, but the project still required outside rescue: director John Sturges acquired a 25-percent interest in 1967 to provide the money needed for completion, while Arruza’s heirs received a 30-percent share and Boetticher retained the remainder. Different narrations were prepared, including versions spoken by Jason Robards and Anthony Quinn. Although the film screened at the San Francisco Film Festival in October 1968 and was invited to Cannes, its official world premiere did not occur until May 22, 1971, in Tijuana, with a Los Angeles release following on May 24, 1972—fourteen years after production began.
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