During World War II, Chuck Jones — by then a supervisor at Leon Schlesinger Productions (the independent unit producing Looney Tunes/Merrie Melodies for Warner Bros.) — stepped out of the animation light to serve as one of the key organizers who pushed the tiny studio toward unionization. Facing salary cuts and watching rival Metro-Goldwyn-Mayer's cartoon shop accept a contract, Jones recruited animators, layout artists and background painters. Schlesinger's brusque, dismissive behavior at a mass meeting (he literally turned the floor over to his attorney) galvanized the shop; animators voted to strike and were briefly locked out. Negotiations ended with Schlesinger signing a contract and creating a Labor–Management Committee; Jones served as moderator even though his role as a supervisor disqualified him from formally joining the union. The episode exposed the uneasy labor relations behind the gags of Termite Terrace and set precedents for animator wages and credits in the Golden Age studio system.
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