Preview audiences hated Blue City’s original ending and the studio ordered reshoots. The released 1986 film was savaged by critics, tanked at the box office (roughly $6.95 million) and collected multiple Razzie nominations. Behind the headlines the aftermath read like a cautionary studio tale: Tanen’s associate Dawn Steel publicly explained that Manning had been “out there pretty much by herself” and lacked the production support the first-time director needed, while Manning insisted critics were excessively harsh on her because she was a woman thrust “under a microscope.” Though Manning retained a production deal at Paramount and continued developing projects, she never directed another feature — the film effectively derailed her directing career and stands as a sharp example of how studio decisions, last-minute script and casting alterations, and an unforgiving critical climate could wipe out a rookie director’s chances in 1980s Hollywood.
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