The principal cut involved Gerrit Graham’s performance in the film’s notorious Be Black, Baby! sequence, an intentionally abusive piece of radical theater in which white spectators are forced into a grotesque simulation of racial humiliation. Graham’s character paints his entire body for the performance and reportedly hesitated before covering his penis as well. He ultimately completed the body painting, but the actual image of the painted penis was removed before the film received an R rating. The episode illustrates the MPAA’s often peculiar boundary policing in the early 1970s: a film could retain scenes involving sexual exploitation, racial terror, and theatricalized rape, yet still require a specific alteration to avoid the commercial restrictions associated with an X certificate. The cut became part of the film’s censorship history, preserving the production’s audacious intent while demonstrating how distributors negotiated with the ratings board to keep an experimental film in wider release.
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