Luis Puenzo's 1985 film The Official Story dramatizes one of the darkest, least cinematic realities of Argentina's Dirty War: the systematic kidnapping of political dissidents and the appropriation of their newborns. After Gen. Jorge Rafael Videla's 1976 coup, a military junta presided over a campaign of state terror in which between an estimated 9,000 and 30,000 people became desaparecidos. Eyewitness testimony — reflected in the film through the character Ana and the grieving Sara — described pregnant women taken into custody, seen giving birth in captivity and returning without their babies. These infants were often clandestinely placed with military-friendly or well-to-do families; mothers and human-rights groups later alleged sales and illegal adoptions facilitated by state apparatus. The film embeds this horror in intimate domestic drama: Norma Aleandro's Alicia, an upper-middle-class teacher, comes to suspect that her adopted daughter is one of those missing children's babies, a discovery that mirrors real-world organizations and mothers who began to assemble photographic evidence to identify their children.
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