Only about a month before filming was due to begin, MGM underwent an executive shake-up and the new regime radically altered the project. The studio wanted Walsh’s intimate gambling drama converted into a mafia-related “sting” story, with Dean Martin envisioned as one of the two central characters. Walsh was removed as producer, and the increasingly unrecognizable project lost both its original creative purpose and its carefully developed attachments. Walsh and Spielberg walked away and took the screenplay to Universal, where Richard D. Zanuck and David Brown had agreed to work with them. But Zanuck and Brown hired Spielberg to direct The Sugarland Express, leaving Walsh’s film stranded once again. The screenplay was finally rescued when agent Guy McElwaine brought it to Altman’s representative, George Litto; a new Columbia chief who knew Walsh’s agency approved the film on Walsh’s terms, and Altman ultimately financed it through Won World Productions with Aaron Spelling and Leonard Goldberg.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.