Harold F. Kress / Metro-Goldwyn-Mayer editing department / Golden Age
Harold F. Kress’s career is often told as a steady rise from uncredited assistant to two-time Academy Award winner, but threaded through that arc is a less glamorous, very real fight against the Golden Age studio system’s control over credit, recognition and workplace hierarchy. Kress arrived at MGM after an unexpected opportunity from Irving Thalberg, spending years doing uncredited work (he was an uncredited assistant on The Good Earth in 1937) and then rapidly moving into credited assignments starting with Broadway Serenade in 1939. But even as he edited major hits — Random Harvest (1942), Andy Hardy Meets Debutante (1940) and other prestige MGM productions — the studio apparatus kept craft personnel low on the publicity lists: "on those MGM lists, we usually were down at the bottom," Kress later recalled. Editors routinely appeared last in the crawl despite being central to shaping the studio’s polished continuity style.
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