Anthony Powell, by then an Oscar‑winning costume designer with credits stretching from Travels with My Aunt to Tess, spent the better part of two years in close collaboration with David Lean on the director’s long‑gestating film adaptation of Joseph Conrad’s Nostromo. Lean — the titan behind Lawrence of Arabia and Doctor Zhivago — had obsessed over Nostromo for decades, and the project drew on top craftspeople; Powell was preparing period work on a scale that might have rivalled the great Lean epics. The collaboration collapsed not because of studio interference or budget overruns but because Lean died in 1991, abruptly halting the production and leaving years of preparatory design work unfilmed. For Powell it was a professional blow: the loss of what would have been another high‑profile period epic to showcase his meticulous historical costume work, and an example of how a single personal tragedy at the top of a production hierarchy can wipe away years of creative labor and anticipation.
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