El Condor was reportedly born from one of the Golden Age studio system's most awkward forms of sunk-cost filmmaking. According to screenwriter Larry Cohen, National General Pictures had already built an enormous adobe fort and a surrounding town in Almería, Spain, for a planned production based on his script Daddy's Gone A-Hunting. The studio then decided it no longer liked that screenplay—but rather than abandon the expensive sets, it paid Cohen to travel to Spain and devise an entirely new film that could be shot around the construction already standing there. The result became El Condor, a 1970 Western about an escaped convict, a prospector, and Apache allies attacking a supposedly gold-filled fortress in 1860s Mexico. The massive set later returned in other productions, including March or Die and Conan the Barbarian, giving the abandoned or repurposed structure a long afterlife in European genre filmmaking.
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