Judith Helfand’s Blue Vinyl turns a materials investigation into a human catastrophe by taking viewers to Lake Charles and nearby Mossville, Louisiana — communities ravaged by decades of petrochemical and PVC production. Helfand documents how heavy industry left a swath of environmental damage: groundwater contamination, airborne toxins, and a community (Mossville) so affected that much of it was largely deserted. Along the way she records intimate human fallout: meetings with residents who alternately accept, ignore or despair at the steady degradation of their town; the story of Elaine Ross, whose husband died after work at the Vista-owned PVC plant; and the grassroots response led by groups like the Louisiana Bucket Brigade, who fashioned homemade air testers to hold companies accountable. Blue Vinyl frames these locales as a portrait of environmental sacrifice zones — places where industrial profit reconfigured daily life and health for generations.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.